Since 2001

The Belgrade Dixieland Orchestra

The only traditional jazz orchestra in the Balkans

Eight musicians, horns, banjo and upright bass - and the music that took off from the streets of New Orleans a hundred years ago.

25 years on stage
6 albums
348 performances on record
8 musicians

BDO

About the orchestra

The Belgrade Dixieland Orchestra was founded in 2001 as we entered into a new millennium. Just when everybody thought that this wonderful type of jazz had forever died out in our country, some strong force kindled eight brave people to save from oblivion and keep this wonderful and winsome music from the turn of the last century alive for the public.

From this faint, lonely and shimmering light of hope, The Belgrade Dixieland Orchestra quickly grew into an important cultural institution in Serbia’s capital, becoming the unique representative of this musical form in the country. As the only orchestra of its type in the country, it is directly responsible for the Dixieland’s triumphant revival from the foundations built for decades by jazzmen from the Balkans.

And how did it all begin? As some of the first local performers of Dixieland claim, Dixieland came to the parts of the former Yugoslavia and shyly sneaked into the ears of listeners way back in 1953. Looking at the calendar a half of century has passed since that wonderful moment! Under the influence of the legendary film “Bathing Beauty” many Dixieland orchestras popped up like mushrooms around the country. We were rapidly overcome by an unbelievable atmosphere of delight, optimism and a completely new sound, which no one had ever felt before…

Belgrade Dixieland Orchestra

The orchestra

  • Aleksandra Bijelić Aleksandra Bijelić
  • Miloš Milosavljević Miloš Milosavljević
  • Ivan Maksimović Ivan Maksimović
  • Aleksandar Miletić Aleksandar Miletić
  • Sava Matić Sava Matić
  • Nemanja Zlatarev Nemanja Zlatarev
  • Veljko Klenkovski Veljko Klenkovski
  • Vladimir Racković Vladimir Racković

Where we have played

Stages, festivals, theatres and clients the orchestra has worked with.

  • “Kolarac” concert hall, Belgrade
  • “Sava” Centar, Belgrade
  • Belgrade Philharmonia concert hall
  • International Dixieland Festival Dresden, Germany
  • Bohem Ragtime & Jazz Festival, Keckemet, Hungary
  • Norrtelje Jazzdagar, Stockholm, Sweden
  • Jazz aux Caves festival, Sancerre, France
  • Hot club de Rouen, Rouen, France
  • Bansko Jazz festival, Bulgaria
  • Miskolc Dixieland festival, Miskolc, Hungary
  • Kastav Blues Festival, Rijeka, Croatia
  • Jazz Festival Valjevo
  • Nišville-Jazz festival, Niš
  • Petrovac Jazz fest, Montenegro
  • Kotor Art festival, Kotor, Montenegro
  • Jazz festival Kragujevac
  • Jazz & blues festival, Sremska Mitrovica
  • Jazz & blues festival, Šabac
  • Memorijalni Jazz & Blues Festival, Kikinda
  • Jazz & blues festival, Bačka Palanka
  • Voxstock blues festival, Belgrade
  • Gitarijada Zaječar
  • European University Nicosia, Cyprus
  • Akzent theater, Vienna, Austria
  • Serbian National Theatre, Novi Sad
  • Pozorište na Terazijama
  • National Theatre Sombor
  • National Theatre Užice
  • National Theatre Kikinda
  • Kruševac theatre
  • City theatre Bečej
  • SPENS, Novi Sad
  • Guarnerius – Center of Fine Arts
  • Riff Jazz Club, Belgrade
  • “Ptica” jazz club, Belgrade
  • Dom omladine Beograda
  • Zmajeve dečije igre, Novi Sad
  • “Kalemegdanski sutoni” Belgrade
  • “Mermer i zvuci” Aranđelovac
  • Mokranjcevi dani” Negotin
  • Bojčinsko kulturno leto
  • International film festival – Palić
  • Dom sindikata concert hall, Belgrade
  • UK “Vuk Karadžić” Belgrade
  • BELEF
  • Student cultural centre Belgrade
  • Kulturni centar Kruševac
  • Kulturni centar Inđija
  • Centar za kulturu Pančevo
  • Centar za kulturu Bačka Topola
  • Centar za kulturu Lazarevac
  • Dom kulture Valjevo
  • Dom kulture “Mokranjac” Negotin
  • Dom kulture Trstenik
  • Music Talents School Ćuprija
  • Dom Vojske Pirot
  • “The Days of Wine” Vršac
  • “The Days of Wine” Sremski Karlovci
  • Touristic organization of Belgrade
  • Skupština grada Beograda
  • Belgrade Marathon
  • American Embassy
  • German Embassy
  • Swiss Embassy
  • JAT Airways
  • Hewlett Pacard
  • Francuska privredna komora
  • European institut Serbia
  • Jack Daniel’s
  • Ford – Grand Motors
  • Siemens
  • Valvoline
  • Raiffeisen bank
  • VIP mobile group
  • Tigar Pirot
  • Tikveš Kavadarci
  • Partner Inženjering
  • General Economic
  • First Data
  • Pulsar
  • MTA export-import
  • JISA
  • Mikro
  • “Taboo” magazine
  • Yu-Ros Gas
  • Delta City
  • Salford
  • Amstel
  • Mercator Belgrade
  • Pharma Nova
  • MFC
  • Uniqa osiguranje
  • Ivančić & suns
  • “Singidunum” rotary club
  • “Lions club” Zemun
  • “Ardoris”
  • “Business partner”
  • “Markons”
  • Muzej starih automobila Brace Petkovića
  • Colonial Sun
  • Koling club
  • Golf klub “Belgrade”
  • Sportski centar Kovilovo
  • Belgrade fair
  • Novi Sad fair
  • Hyatt Regency Belgrade
  • Hotel Beograd Interkontinental
  • Hotel “Grand”, Kopaonik
  • Hotel “Balkan”, Belgrade
  • Hotel “Moskva”, Belgrade
  • Hotel “President”

Upcoming

Upcoming events

Dates as announced on the orchestra’s site.

  • Next performance 01 oct 2026 Pozorište Madlenianum Zemun 20:00
  • 13 oct 2026 Šabačko pozorište Šabac 20:00

Earlier announcements

  • 03 mar 2026 National theater Kikinda 20:00
  • 26 feb 2026 “Bluz i Pivo” club Belgrade 20:00
  • 26 may 2020 “The Nushic days” Smederevo 20:00
  • 26 feb 2020 “Akademija 28” Belgrade 20:00
  • 25 jan 2020 Ejegod jazz club Slangerup, Denmark 20:00
  • 25 jan 2020 Greve teater Greve, Denmark 13:00
  • 24 jan 2020 Gladsaxe jazz club Gladsaxe, Denmark 20:00
  • 23 jan 2020 Jonstrup jazz club Jonstrup, Denmark 19:30
The full performance record

New Orleans, around 1900

How Dixieland was born

.… A legend says that Dixieland music, the beginnings of jazz, was born in New Orleans from where it was carried by river steamboats up the Mississippi river towards Memphis, Saint Louis and finally Chicago…

… There are even more reasons that will prove the truthfulness of this story. The first were testimonies of old musicians who were unanimous in their statement that the musicians from New Orleans played a different, special kind of music, which others started to copy and adopt. The second unquestionable reason is the gramophone recording: all recordings which were made by 1925 were, without exception, recorded by musicians from New Orleans or by those who openly copied this new way of music called “Dixieland”…

… Although the exact date of jazz beginnings cannot be defined, there was something going on in New Orleans , which showed that this music was born sometime between 1900-1905. The important fact that relates to this was the end of the Spanish-American war in 1898, after which a huge flood of second hand-instruments was sold by the Army after its demobilization. New Orleans was one of the closest ports to Cuba and many units were demobilized there. Therefore, around 1900, the shops of New Orleans were swamped by clarinets, trombones, drums and cornets, which even poor black people could afford…

… At the end of the 19th century, New Orleans was a city of a rich and diversified music culture. It had operas, symphonies, good instrumentalists and chamber orchestras. There were numerous half-organized and informal bands, which consisted of many Black and Creole musicians; these bands performed marches at parades, funeral music, popular songs and ragtime during picnics and parties. Music was played in cabarets, honky-tonk bars and brothels. Music was literally everywhere…

… Music merged: marches, ragtime, labor songs, blues, opera overtures- African music with European influence and European music with African influence– all these merged into one stream and one day “Dixieland” was born, a music which did not exist before, a music which during the next thirty years moaved out of honky-tonk bars, left picnic sites, sneaked out of brothels, and took off the streets of New Orleans to fly all over the world…….

Since 2003

Dixie Dance Show

The Dixie Dance Show is one of the most unique dance groups in the country. In contrast to others, it was exclusively formed from top foreign dancers and enthusiasts who now are a vital part of musical and dance spectacles with “The Belgrade Dixieland Orchestra.”

The group was founded in Belgrade in 2003 under the auspices of the dance club Gracia.

The group’s concepts are strongly influenced by the Orchestra’s repertoire, including spectacles such as “So Jazz Came To Be”, “Musical & Cabaret”, and “Charleston Era”. Already in a few years it has become the most attractive performance of this type not only in the country, but in the entire Balkans as well!

Leader of the group and dance choreographer Irena Žujović has in a very short time already created an original and varied dance group; her characteristic choreography is inspired by early films and musical numbers. Trainer Ivana Milovanović enlarges upon this art-driven dance choreography by giving dancers additional physical training and support.

Choreographer

Leader of the group and dance choreographer Irena Žujović has in a very short time already created an original and varied dance group; her characteristic choreography is inspired by early films and musical numbers. Trainer Ivana Milovanović enlarges upon this art-driven dance choreography by giving dancers additional physical training and support.

thedixiedanceshow@gmail.com
Dixie Dance Show Dixie Dance Show Dixie Dance Show

Discography

Discography

Six albums recorded between 2004 and 2015.

ALL THAT JASS

2015

ALL THAT JASS

Tracks

  1. Dixieland Jass Band One-Step
  2. Bill Bailey
  3. Mamie’s Blues
  4. Indiana
  5. I Found a New Baby
  6. Everybody Loves my Baby
  7. Nobody Knows You when You’re Down’n’Out
  8. Cake Walking Babies
  9. Black Bottom
  10. The Charleston
  11. Flee as a Bird to Your Mountain
  12. Didn’t He Ramble

Recording credits

All arrangements by Sava Matić, Ivan Švager and Vladimir Racković

Special guest: Nemanja Zlatarev, trombone on tracks 4 and 8.

Recorded at „Odiseja“ recording studio, Belgrade, 2014.

Producer and sound engineer: Vladimir Racković

Digital mastering: Oliver Jovanović

2012

NATIONAL TREASURE

Tracks

Recording credits

“National Treasure” is the BDO project realized by all musicians since the band’s been fouded (January 2001):

Arrangements: Ivan Švager, Ljubomir Matijaca, Sava Matić and Vladimir Racković

Recorded at Studio VI, Radio Beograd, and ”Odiseja” recording studio, Belgrade

Producer: Vladimir Racković

Recording engineers: Zoran Marić, Vladimir Racković

Assistant engineer: Zsolt Virag

Digital Mastering: Oliver Jovanović

Art design: Jelena Labus

2010

What a Dixie We Have in Gospel

Tracks

Recording credits

All arrangements by Ivan Švager,

exept 12 by Vladimir Racković

Recorded at Studio VI, Radio Beograd, 2007.

Producer: Vladimir Racković

Recording engineers: Zoran Marić

Digital Mastering: Oliver Jovanović

Executive producer: Darco B.

Special guests:

Jelena Bračika

– lead vocals on tracks 1, 3, 8, 9, 10, 11

Golgota Gospel Choir

– tracks 5, 9 and 11

Miša Dostanić

– back vocals on track 6

JAZZ MUSEUM

2008

JAZZ MUSEUM

Tracks

Recording credits

All arrangements by Ivan Švager, exept 12 by Vladimir Racković

Recorded at Studio VI, Radio Beograd, 2007.

Producer: Vladimir Racković

Recording engineers: Zoran Marić

Digital Mastering: Oliver Jovanović

Special guests:

Tamas Ittzes, stroh violin solo on »Sweet Georgia Brown«

Golgota Gospel Choir on »Nobody Knows The Trouble I’ve Seen«

Bodin Draškoci, trombone on tracks 1, 5, 7, 11 and 12

Bobana Đorđević, lead vocals on tracks 7, 9

Jelena Bračika, lead vocal on »Nobody Knows The Trouble I’ve Seen«

MOON OVER BOURBON STREET

2006

MOON OVER BOURBON STREET

Tracks

Recording credits

All arrangements by Ivan Švager, exept 1, 11 by Vladimir Racković and 2 by S. Matić

Recorded at Studio VI, Radio Beograd, February – March 2006.

Producer: Vladimir Racković

Recording engineers: Zoran Marić i Mirko Ramović

Digital Mastering: Oliver Jovanović

Special guests:

Bobana Đorđević, lead vocals on tracks 6, 7 and 12

Ivan Ilić, trombone solo on »St. Louis Blues«

The BELGRADE DIXIELAND ORCHESTRA

2004

The BELGRADE DIXIELAND ORCHESTRA

Tracks

  1. Bonus track: St. James Infirmary live – Sava Center, 12. december 2003.

Recording credits

All arrangements by Lj. Matijaca , exept 1, 8, 11 by Vladimir Racković and 2, 10 by Ivan Švager

Recorded at Studio VI, Radio Beograd, autumn 2003.

Producer: Vladimir Racković

Recording engineer: Zoran Marić

“St. James Infirmary live” recorded by Bora Radojević

Guests: Srđan Đorđevic – upright bass (5, 6)

Dejan Stojadinović – upright bass (7, 12, 13)

Special thanks to Vladana Marković for assistance in producing Jelena’s vocals

Gallery

Gallery

Photographs from the orchestra and the Dixie Dance Show on stage.

Video

Video

Recordings from the orchestra’s YouTube channel.

The full channel on YouTube

Rider

Rider

Technical requirements for promoters.

Input list

Ch. Input Mic Insert
1 Kick Beta 52 Comp
2 Snare SM 57
3 Toms Beta 98* Gate
4 OH AKG C451*
5 Bass DI Box* Comp
6 Keys DI Box*
7 Banjo DI Box*
8 Clarinet Beta 57 Comp
9 Trumpet Beta 57 Comp
10 Trombone SM 58 Comp
11 Vox Vlada Beta 58 Comp
12 Vox Lead Beta 58 Comp
13 FX return L
14 FX return R
Download the input list (PDF)

Contact

Contact and booking

For dates, offers and technical questions - get in touch with the orchestra.

The original site takes messages through a contact form; no e-mail address or phone number is published.